Last and First Men

What a fantastically ambitious and far-reaching novel Olaf Stapledon has written. I've just finished reading this. It's like H G Wells but more satisfying because fewer people know about it. It reads like high literature but tackles issues of time and space. Is it literature or sci-fi? Who cares, it was written in 1930 and the distinction would be nonsensical, because sci-fi didn't quite exist as a separate entity. The afterword informs me that the author himself would find the attempted division ludicrous, and that was good enough for me. Anyway, that's enough of a tangent.

The basic premise of the book is a brief history of time, from our own (1930s) era through world conflict, a simple story based on an imagining of the future. But it goes on, and on, through different species of human, their different ideas and characteristics. In all, 18 species of human exist, first on the Earth, then on Venus, then on Neptune, where the race ends. I'm not really one for synopses. Even that one has exhausted me.

Reading this so long after it was written is cruel to the author, because of the inherent difficulties an author has in trying to predict a possible future without framing everything in the context of his own times. Hence even the most advanced species rely heavily on "overalls" and "hoes and spades", because the author isn't aware that all future races actually wear foil and spandex, and he hadn't encountered the rudimentary robots which would have fed his imagination with new ideas for mechanical domestic help. And although some of the species of human eventually achieve varying levels of telepathic ability, there is no intermediate technological advance in the fields of communication to match this. Could it have been so hard to predict and augment the Internet? Luckily, he wrote after the advent of aviation, so that advanced races do experience the luxury of personal "flying craft", and even the occasional "ether ship".

But of course these facetiously-noticed petty peccadilloes take nothing away from the genius of the book, which has inspired so many. Arthur C Clarke said of it: "no book before or since has ever had such an impact on my imagination." It is a hugely imaginative cosmological journey that Stapledon takes us through, but the highlight for me is the sentence-by-sentence structure, vocabulary and, dare I say it, poetry. To pick one (almost) at random, when speaking of one of the species' view on the death of their fellow man, he describes it as "an irrevocable tragedy, an utter annihilation of the most resplendent kind of glory, an impoverishment of the cosmos for evermore." This one stuck with me so I made a note of it.

Not only that, but he teaches us important life-lessons:

"There is something else, too, which is a part of growing up - to see that life is really, after all, a game; a terribly serious game, no doubt, but none the less a game. When we play a game, as it should be played, we strain every muscle to win; but all the while we care less for winning than for the game. Ad we play the better for it."

But, but before we gain too much levity, we are also reminded that "thus the whole duration of humanity, with its many sequent species and its incessant downpour of generations, is but a flash in the lifetime of the cosmos."

I noticed that after reading substantial portions of the book, I looked at the world with a distant gaze, smiling wryly at the minutiae of every day life. Early in the book, our "First" humans stashed a huge vault-full of human knowledge in a cave, that it should never be lost. I thought that the retention of that knowledge would be pivotal to the cultural survival of man. It mattered slightly for a few thousand years, or perhaps 30 pages, but it meant nothing once hundreds of generations had passed, each with their own ideas of what's important, indispensable, sacred. In the end, it mattered not. It was a strangely liberating thought, not getting bogged down in the little things. I felt almost Buddhist. I didn't even bother shaving that day, such was its ascetic appeal.

So I would agree with Mr Clarke on the novel's influential properties. For example, I learned that life is an insignificant game. Life may be "but a flash in the lifetime of the cosmos", but it's still a game.

The Pursuit of Privacy

I've recently been frantically deleting old posts, tweets, photos and details of my name from social networking sites, as well as tightening privacy and security settings. I've tried to get rid of anything that can too easily identify me, my interests, or my friends. I have a vague idea that this has been done for reasons of privacy. But, overall, this is a pointless and bad idea for a number of reasons.

Firstly, no one cares about my details. I'm not rich, famous, or successful. If I were planning a career in politics or the like, I could understand why I've done this, but I'm not, so I don't.

Secondly, even if someone did genuinely seek to undermine me or use my past words against me, my precautions would be ineffectual. Basically, I'm not so good at IT that I could truly protect myself from such threats online if they existed.

Thirdly, I've basically committed cultural genocide against myself:

Twitter's probably the most painful example. I've deleted tweets which might be viewed as too inflammatory or foul-mouthed alongside those which might compromise my security. I've gone from about 1,600 tweets to 200, and now they mostly consist of short one-sentence answers to other people's tweets. I'm too vain to let my tweet-count slip to zero, but I'm too paranoid to allow anything interesting to remain.
edit: Fuck it, I'll delete them all, barring the first one, which will show when I joined, and a second explanatory one, explaining the lack of future posts. I'm nothing if not methodical.

On Facebook, I've deleted all old photo albums, even those which appear benign. I'm not sure why; although my friends could access them, my outside privacy settings were secure. Maybe I just don't trust my friends, but then, of course, they'll have other photos of me anyway, and won't always have the same stringent privacy settings that I employ. This goes back to my second reason listed above. Anyway, beyond photos, I've also started going back over all my old statuses and postings, and deleting them, bit by bit. Again, secondary reason, this is pointless because a lot of my filthy incendiary comments are probably on other people's walls, not to mention what I may've said in countless "private message" conversations (which I can only delete from my side).

Anyway, this talk of wall postings, tweets and status updates lead me onto expanding the third reason. I generally put a lot of effort into my updates and tweets. I sometimes looked back on them and smiled, thinking how enormously clever I was. As each was accompanied by a date and a time, they acted as handy reminders of how I might've felt at a certain time, during a certain period of my life. At the very least, they would've been a good archive of some of my more interesting thoughts and ideas.

Maybe I'm actually being vain in thinking this matters at all. Surely the only reason I'd ever truly look back is because I was writing my autobiography, having achieved a great deal in public life? Am I planning to attain a great and notable standing at some point in my life? Not really. So why should it matter if I'm deleting my past?

Perhaps I feel blasé about this whole trauma because I've been reading a lot about Mark Twain recently, who had a healthy disregard for truth and accurate memory ("Truth is the most valuable thing we have, so I try to conserve it" etc.). If I ever rise to prominence, I'll take the opportunity to rewrite my life and reinvigorate the past. Who'll contradict me? Mark Zuckerberg? HA! Show me the evidence.


P.S. All this has made me realise the hypocrisy of this public blog. However, barring a few privacy lapses, it's not too personally compromising. It shall remain. But it'll have to get more interesting to soak up the wisdom and wit from the deleted social-networking posts (Ha. Prove they weren't!).