Kaiser Chiefs: A Brief Study of Lyrical Mediocrity.

This study is almost so brief that it may as well be left to the title to say it, but I'll expand a little.

The Kaiser Chiefs, along with The Killers and suchlike, were one of the new indie bands everyone liked when I was about 15. Indie had nothing to make me like it. It was popular and bland, and thus beyond redemption. It stood out in no category. Musically? Below average. Passion? Below average. Lyrics? Below average. And yet I decided I liked the Kaiser Chiefs enough to refrain from turning off their music where possible.

It is possible, if not likely, that I professed to like them purely to increase my credibility should I ever make the dubious claim that I'm a tolerant person with regards to music.

Anyway, they were, for the album I had, mostly harmless. 


And then I heard their single "Ruby". The first two categories remained unchanged, but lyrically, they had gone from "below average" to "psychotically poor". For those who haven't heard this delight, the chorus goes something like:

Ruby, Ruby, Ruby, Ruby
And do ya, do ya, do ya, do ya
Know what ya doing, doing to me?
Ruby, Ruby, Ruby, Ruby

Well, they still sold well, so I'm told, so clearly my opinion is less commercially-viable than your average music fan's. But what annoyed me even more than Ruby was a different song I happened to hear, called "The Angry Mob". Why did it annoy me more? Because it crossed over from the vapid and unimportant to the vapid and "political". 

Maybe I'm just a snob. I mean, In and of itself The Angry Mob isn't so vapid (of course, it's not so worthy that it deserves a proper lyrical synopsis here. Suffice to say that it doesn't like Daily Mail readers). It ends with the repeated chanting of: 

We are the angry mob
We read the papers everyday day
We like who like
We hate who we hate
But we're also easily swayed

And, in many ways, this is a fair and accurate summary of the right-wing paper-readers they speak about. So maybe I'm wrong to criticise it. It's bland and inoffensive (and harmless), just like the band itself, you could argue. The problem is that, as recently shown at Glastonbury, many people appear to regard this as the pinnacle of lyrical excellence. Wondering around near the back of The Other Stage, I saw people chanting this with such devotion and such wonderment. There's no way that this is because of its hypnotic music quality. It has none. Perhaps people are simply caught up in the moment of seeing an act they've seen on TV before. However, when criticising the lyrics, I was informed by an intelligent and astute friend, that I was wrong in my choice of target.

Regardless of what people actually thought of the lyrics (and, as indie fans, there's a good chance they weren't thinking at all), the problem is that people will see that this group is popular, hear their lyrics, and place an unnaturally large emphasis on the worth of what the Kaiser Chiefs have to say to them. However, people sometimes forget that indie, as a genre, is devoid of any lasting political significance.

I'm not a snob and I appreciate and empathise with what I assume the Kaiser Chiefs' views are. However, reaching such a wide audience, they have a responsibility - when using political lyrics - to be outstanding, to show real intellectual worth, and make people really think. With such simplistic and monotonous lyrics, they waste this opportunity. They appeal to the lowest-political-common-denominator. With laziness like that, they may as well write papers for the angry mob themselves.